Showing posts with label The Vision. Show all posts
Showing posts with label The Vision. Show all posts

Sunday, September 17, 2023

"Avengers Inc." #1 Kicks off a Fun New Series!

Al Ewing is a stellar writer and Leonard Kirk is a fantastic artist. They have come together to bring us a new detective-styled take on the Avengers titled, "Avengers Inc." The first focuses on Janet Van Dyne AKA the Wasp as she tries to solve a murder mystery. The first big twist is folks are not as murdered as they might seem, but then some other fun occurrences happen with even more questions being raised. Plus, we got a surprise guest at the end that piqued my interest. If I may spoil the last-minute reveal, it seems Hank Pym might be back and finally is no longer stuck in that weird body-and-mind-meld with Ultron (it was a whole thing that started back in 2015). A man claiming to be Vic Shade appears too, but he was an alias of Vision in the past, so what exactly is going on? We don't know, but I'm excited to find out.

I'm a fan of mystery yarns and would also argue that Janet Van Dyne is often underutilized within the comics as a fascinating character with a rich backstory that deserves mining (she is a founding Avenger, after all). Ewing's writing fires on all cylinders as normal and Leonard Kirk's art is just stupendous. When a big fight scene breaks out in the middle of the comic with a bunch of characters a lesser artist would probably struggle to make it anything other than a big muddled mess, but Kirk keeps things clear and easy to follow.


The debut issue of, "Avengers Inc." has definitely piqued my interest. Between Ewing and Kirk it is a great read and looks gorgeous. I am excited to see where this story goes as the various mysteries that have been raised are explored!
 
5 out of 5 stars.

Tuesday, June 13, 2023

"Avengers Inc." Sounds Like a Snazzy New Series

We already had, "Batman Incorporated," over at DC some years ago, so why not let Marvel give us, "Avengers Inc." now? In all seriousness, however, it sounds like a cool comic. Written by Al Ewing (who barely ever makes a weak comic) and illustrated by Leonard Kirk (also fantastic), this new series will follow Janet Van Dyne (the Wasp) and Victor Shade (a former alias of The Vision) as they solve mysteries like classic gumshoes, beginning with the deaths of certain supervillains.

It sounds like an interesting hook and if we get a cool detective story set within the Marvel Universe that sounds like it will be a treat to read. Plus, as I said, it's got Ewing and Kirk, so we know it's gonna be of high quality! The first issue is due in September so it won't be too long a wait!

Thursday, May 27, 2021

Today is my 33rd Birthday!

Today I turn 33 years old. The year I turned 32 was incredibly difficult between the COVID-19 pandemic and the many loved ones we lost, but despite some challenges it has already brought, 2021 has been immensely better and I hope it continues to be a year of rebuilding and remembering the things that bring us joy in life.

As always, I am ecstatic to share my birthday with Andre 3000 of OutKast, one half of the duo that makes up the greatest musical group of all time. I just learned today Gladys Knight claims this day as her birthday too. Other notable folks with their birthdays today include Paul Bettany AKA The Vision, horror movie scream queen Linnea Quigley, and that YouTube guy the kids love, Stevin John/Blippi. Quite an assortment.

Thank you everyone for the warm birthday wishes I've already received and will doubtlessly get more of. I love and appreciate you all! Let's make the most of this birthday and the (hopefully) many more coming!

Tuesday, March 10, 2020

"Strange Adventures," #1 Is a Strong and Ominous Start

Tom King is a writer who makes absolute masterpieces and big steaming piles of trash. He is incapable of doing something, "Just fine." It is either phenomenal or awful as Hell. Some of my favorite stuff of his (e.g. the things that aren't bad) are his 12-issue series (not all limited series he does, however, as, "Heroes in Crisis," shows). Give Tom King too many issues and he really trails off (his, "Batman," run he was kicked-off of), give him too few and the story will suffer ("Omega Men," almost didn't get 12 full issues and I just mentioned, "Heroes in Crisis"). That sweet spot of 12 issues has given us, "The Vision," and, "Mister Miracle," however, so when Tom King asks for 12 issues you give the man his damn 12 issues and get out of the way of King and his artistic collaborators. Speaking of art, King reunited with Mitch Gerads and brings in Doc Shaner to tell two sides of the same story. It has only just started, but I'm hooked.

Adam Strange is a human who found himself zapped to the planet of Rann and became a war hero there before returning to Earth. Is he a hero, however, or a war criminal? Could he have committed a recent murder on Earth that looks like it was his Ray gun? This is only the first issue so you know we're only going to get questions and zero answers yet, but that's alright. A first issue is about laying-down the pieces we'll be building off of and setting a tone. Thanks to King, Gerads, and Shaner, that is all done with gusto. Gerards illustrates scenes in the present that are filled with growing dread while the Shaner flashbacks have an almost silver age vibe of over-the-top theatrics (that may very well hide some dark secrets too).


"Strange Adventures," is off to a fantastic start and if I may spoil one little thing at the end of this issue (which solicitations have revealed as well), Mister Terrific will be showing-up too, which makes me happy. I always feel Misster Terrific is annoyingly underused in stories as such a snazzy character. Assuming King, Gerads, and Shaner keep this quality up I think we'll have another magnificent maxi-series to admire when this is all said and done.
5 out of 5 stars.

Monday, August 26, 2019

With a Single Poster, "WandaVision," Has Piqued My Interest

The relationship between Wanda (the Scarlet Witch) and Vision (the, um...Vision) was always one of the sweetest low-key things in the Marvel Cinematic Universe that seemed to happen nice and organically as opposed to how they shoe-horned in some other romances (Bruce Banner and Black Widow suddenly being all close). In the comic-books it was a nice and happy story too, until later on when things got weird with Wanda's powers causing all kinds of twisted things to happen that were warping reality in dangerous ways (creating children out of thin-air considering Vision was incapable of having kids, stuff like that). The poster for the upcoming, "WandaVision," show has my attention because it seems to be hinting at the very same, "Things look nice but something is horribly wrong," vibe the comics eventually tackled.

It may sound odd to say a poster gives me hope, but compared to all the other Marvel movies or super-hero shows that have gotten posters, "WandaVision," is the only one where stuff simply looks the least bit weird or different. All the other new Marvel posters of movies or even shows just look like the standard image of a hero (or heroes) standing and looking stoic with bad-guys sometimes in the background appearing imposing as well. For real, look:
It is drab, and as the Marvel Universe has a number of movies that are starting to just feel like one big formulaic method (in the, "Avengers," films especially) with only some key standouts recently ("Black Panther," was a delight and "Doctor Strange," was incredible, no matter what haters say about Strange) I can appreciate a Marvel property being able to do something a little bit different, which it seems Disney+ will be good for allowing some deviation from the usual somewhat-homogeneous vibe of the movies. I'm full down for a surreal nightmare-sitcom starring the Scarlet Witch and the Vision, in other words. If it is at all like the amazing, "The Vision," series by Tom King that focused on the Vision trying to have a normal suburban life while horrible things happened, that will be a good thing as well, because that comic was bonkers (in a good way).

Friday, June 14, 2019

This Latest Marvel Storyline Suddenly Sounds Interesting...

When it comes to naming a villain who at times struggles to be interesting, one I can easily think of is Ultron. Created by Hank Pym (in the comics, in the movies Tony Stark is his, "Father," of course), Ultron has his whole deal being wanting to wipe out humanity...and that's about it. We do have a rare occasion or two where Ultron has had something more interesting going on (that time he considered conquering the galaxy, the weird day when he tried to seduce Hank Pym as a robotic version of his ex-wife), but it is telling my favorite story involving the character was one that imagined a world where he hadn't been created. I know somewhat recently Ultron and Hank Pym merged into one person or something ("Rage of Ultron," was weird), but that seemed to do little of note for the character being at all intriguing. Hence, when I saw the press for a new story-line in the, "Tony Stark: Iron Man," comic titled, "The Ultron Agenda," I assumed it would sound very dull. Then I saw Machine Man was the villain. Wait, that's interesting.

Aaron Stack AKA the Machine Man was created by Jack Kirby to tie-in with the classic film, "2001: A Space Odyssey," of all things. Over time other writers tackled the character as well as varying interpretations of him (Stack was very important in the out-of-continuity, "Earth X," to name one example). Stack arguably gained a whole new group of fans when Warren Ellis used him in the cult-classic, "Nextwave: Agents of H.A.T.E.," series that painted Stack in a light that was both hilarious and a tiny bit sympathetic. He then popped-up in other series and is one of those cult-characters that has a small and dedicated fan-based but otherwise gets ignored a lot (kind of like my personal favorite character, Moon Knight). To see that Aaron Stack AKA Machine Man is going to be leading a robot uprising dedicated to making sure A.I. takes over the planet suddenly sounds pretty attention-grabbing as opposed to if it was simply Ultron trying to just wipe-out humans for the 50th time for little reason other than a slew of daddy-issues about his creator.
Reading that the, "Ultron Agenda," story-arc will explore concepts of just how, "Alive," the artificial life in the Marvel Universe is sounds pretty snazzy. It was a concept touched-upon to a good degree in the stellar, "The Vision," mini-series (fun fact, Vision is technically the son of Ultron, making Hank Pym Vision's Grandpa) and one worth exploring. Plus, with a character as interesting as Aaron Stack AKA Machine Man I already expect a lot more interesting stuff to occur than if it had been Ultron himself again.

Saturday, September 15, 2018

That Upcoming, "The Vision," Comic is Suddenly Cancelled and I'm Quite Perturbed

Chelsea Cain is a writer who was behind one of my favorite comics that was sadly cancelled back in 2016, "Mockingbird." It had been announced she would be writing a new comic with Marc Mohan focused on The Vision and his daughter, Viv. It was announced as a sequel of sorts to the stellar Tom King-written, "The Vision," with the exact same name as that series--e.g. just the titular character's name. It was to have some stellar-looking art by Aud Koch, and the original colorist for the first series, Jordie Bellaire, would be back too. I was very, very excited. Then, I saw on of all possible places, Bleedingcool, how Cain tweeted the book was suddenly axed. Four of the six issues were already done and turned-in to Marvel, and the company just decided it had other plans for The Vision as well as Viv and there went, "The Vision," comic. Other news outlets have reported on this now, expressing just as much confusion and sadness as everyone else.

I'm not pleased, in fact I'm quite perturbed. Marvel hired this talented bunch of people, let them get 2/3 done with the series, and then decided, "Nah, we have other plans for these characters," and shoved the completed issues in a metaphorical drawer to possibly never be seen again (its a metaphorical drawer as I imagine much of the stuff is digital, as a lot of comic-work is these days). I mean, everyone got paid so Marvel isn't necessarily screwing-over anyone besides us readers who were excited to read the series, but come on ya'all, maybe just let the team finish the series and release it as some kind of extended, "What-if," book should you really want to take the characters in a different direction? That way we can at least all read the damn thing! Oh well, at least I can look forward to Cain's upcoming Image series, "Man-Eaters," which actually has the art done by her, "Mockingbird," collaborator, Kate Niemczyk.

Saturday, March 17, 2018

Avengers: Infinity War Trailer and Some Scattered Thoughts


The last, "Big," trailer before, "Avengers: Infinity War," hits theaters this April 27th arrived upon the internet yesterday. It was a pleasant way to start the weekend and you can watch it right up above this post. I just wanted to share some thoughts about it, helpfully collected in various talking-points...

Infinity stones explained!
I was happy to see the trailer have the characters just straight-up discussing how Thanos wants the Infinity Stones and that's why he is coming to Earth. I was kind of worried almost the entire movie would be, "Who is this guy, what does he want from us?" and would end with that finally revealed for a sequel where the, "Real fight," then happens. Thank God that isn't the case and everyone earlier on will know what the deal is.

The Guardians of the Galaxy meet the Avengers
We all were waiting for that magic moment Chris Pratt's smart-ass Star-Lord would exchange a quip with Robert Downey Junior's smart-ass Iron Man. We got to see that and I loved it.

No love for Hawkeye
This trailer lacked certain Marvel characters, with Ant-Man being MIA. One really notable absence considering he's been there from the start however would be Clint Barton AKA Hawkeye. The dude ain't even on posters for the movie. He kind of got some of the spotlight in, "Avengers: Age of Ultron," but has basically been everyone's least-favorite Avenger since then in terms of the movies. Poor guy.

Spider-Man is always a delight
Tom Holland continues to make a great Peter Parker/Spider-Man with his quip at the end about Doctor Strange and how they must be using their, "Made-up names," is absolutely hilarious.

Wakanda
We got to see more of Wakanda and it is clear that Thanos and his forces will be attacking there. It should be a good time watching what appears to be Steve Rogers, Bucky, Black Widow, Black Panther along with the army of Wakanda fighting Thanos' evil forces.

Chris Evans looks good with a beard
Chris Evans makes a good Captain America, and he also looks quite snappy with a beard. I hope he doesn't have to shave it during the movie as its a good look.

The Vision's gonna die, right?
My last thought is one that isn't in the trailer, but we all know that The Vision is in some serious trouble right? If the whole point of the Infinity Gauntlet is for Thanos to get all the stones, he will need to rip it right out of The Vision's forehead in what will most likely be a violent and climatic movie-moment. I mean, it could possibly not happen, but I'm pretty sure it will.

Thursday, December 29, 2016

Best Comic-Book Writers--2016 in Review

Putting Pen to Paper (or Finger to Keyboard)
There were a lot of writers who all made some stellar comics this year. I feel they all were great and can't pick one above the others. Therefore, I shall present them in alphabetical order (by last name). Shall we?

Jason Aaron
Why 
The relentless misery of, "Southern Bastards," and, "The Goddamnned" was addictive.

Details
The two books by Jason Aaron I loved the most seemed to come out the least often. Plagued by delays, "Southern Bastards," and, "The Goddammned," still managed to impress anytime they came out. Both books had a healthy helping of religion, with the former often discussing the degree of religiosity in the South and the latter being itself Aaron's take on if Cain had met Noah in the ruined world set right before the infamous flood. Each series has a good helping of violence, anger, but also carries with them some touching sadness; be it Cain's desire for family and peace or how everyone in, "Southern Bastards," Craw County lives in a state of constant fear or anger. Each book is horrifically depressing, and each book is one I couldn't put down.

Chelsea Cain
Why
"Mockingbird," was fucking awesome.

Details
Chelsea Cain said in the afterword-text of the eighth and final issue of, "Mockingbird," that she didn't think of herself as a comic-writer. A writer, perhaps, but not someone who usually does comics. Well, I think considering the quality of some so-called, "Comic-writers," that she is already well and beyond, Cain should call herself a comic-writer with zero hesitation. "Mockingbird," may have only run for eight issues, but between the clever puzzle-style plotting of the first five issues and the continued great entertainment and characterization in the remaining three, "Mockingbird," was a stellar enough book it easily makes Chelsea Cain one of my comic-writers of the year.

Tom King
Why
"The Vision," and how great it was.

Details
Tom King has been writing plenty of great comics, from the stellar, "The Omega Men," to his current, "Batman," stuff. That said, his 12-issue presentation of "The Vision," was something amazing to behold, and I clearly can't stop talking about it within a number of my 2016 in Review posts, so of course I would consider King one of my comic-writers of 2016. You can't make, "The Vision," and then be snubbed for that kind of recognition! I suspect that even though King has made a number of stellar comics and will doubtlessly give us more amazing stuff that we will all be talking about, "The Vision," for quite some time.

Jeff Lemire
Why
"Moon Knight," has been incredible, and his work on other stuff ain't been bad at all either.

Details
Jeff Lemire has been giving us some incredible storytelling on, "Moon Knight," but also has made such awesome books as, "The Black Hammer," which I suspect may be popping-up quite a bit on my 2017 in review lists once I feel I've got a greater handle on the kind of story he's trying to tell (a little bit, "Essex County," but with plenty of super-hero elements incorporated too). As I said though, "Moon Knight," has been giving me the kind of stories about Marc Spector and his many identities that I am oh-so-happy to be reading, and I consider it to be up-there in quality with the stellar stuff by other previous creators. Honestly, when you love the character as much as I do and then get stories this incredible, you've gotta give the creator some love.


Christopher Priest
Why
Because he's Christopher Priest and, "Deathstroke," never fails to impress.

Details
Besides a project here-and-there, Priest had essentially left comics. Thankfully he took an offer from DC to come back and write about boring old Slade Wilson AKA Deathstroke and turn a character I had never liked into the titular star of the best bi-weekly book on the stands (bi-weekly as in every two weeks, not twice a week, that would probably drive any writer insane). I had concerns about DC releasing certain books on an accelerated schedule, but if it means I can continue to get more of Priest's incredible work on a quicker basis then keep it coming! Priest has been in the field of comics for so long and is so talented that he deserves the utmost kudos for creating such wonderful reading. Once Priest is done with, "Deathstroke," I may not care as much about the character anymore, but I'll definitely be hoping Priest takes over writing something else awesome as opposed to taking another lengthy break from comics. Someone this good should leave the field for that long!

Tuesday, December 27, 2016

Best Single Issues--2016 in Review

Just Takes One!
While a series can be amazing, sometimes it is one amazing issue that has you go, "Now this is an incredible book." This year two series each had issues that made me pause and go, "Wow!" to a degree I feel is worth discussing.

Best Single Issues

The Vision #11
Much of the 12th issue of, "The Vision," was a wind-down and denouement after the climax that occurred in this issue--and you can't blame the 12th issue for ending with some quiet reflection because damn was this a climax. All the warnings since the 1st issue that continued throughout the book that The Vision would turn on his friends came true--of course it is their fault he fights them because he wants revenge for the death of his son.

Many comics have pointed-out that The Vision is quite possibly one of the most powerful and dangerous beings on the planet and could wipe the floor with his whole team of Avengers if need-be. This issue takes that knowledge to heart and has Vision stomp all who get in his way, before a shocking twist that even I didn't see coming--The Vision's wife kills the Avenger who murdered his son (and through lies of the wife  that she re-programmed him the Vision to still claim to be a good guy with readers knowing the truth is a bit more gray).
Many issues of, "The Vision," were about a slowly creeping dread. The book was less a super-hero comic as opposed to a piece of suburban-horror where the fear of inevitable death and destruction stood in an almost-hilarious contrast to the seemingly pleasant picket-fences and friendly neighbors. The 11th issue of, "The Vision," is that explosion of rage, anger, and violence that the book had promised would be coming, but with that clever swerve that Vision is robbed of his revenge by his own wife (but in the process able to protest his innocence).

 For a book that started out so quiet and disturbingly mellow it is impressive just how viscous and loud this issue is with its statement of, "Why are you surprised by all this bloodshed? We told you it was coming at the start!" I wondered if, "The Vision," could keep up its quality when the first issue came out and it was announced it would run 12 issues. Well, between this and the final issue I didn't need to worry if it would impress, because it sure did.

Southern Bastards #14
I read and loved the most recent 15th issue of, "Southern Bastards," but for my money the 14th issue was one of the best of the series, and clearly one of the best single issues I read this year. After a surprise reveal early on in the series that the murdered Earl Tubbs (who attempted to bring justice and reason to Craw county but violently failed) had been calling and leaving voicemails for his biracial daughter Roberta (Earl was white) the series has followed a variety of characters, from Earl's murderer, Coach Boss, to other denizens of Craw County, we've gotten to know everyone except Roberta. I was therefore extremely pleased when in the 14th issue we finally got to get, "Inside her head," and learn more about her.

"Southern Bastards" has oftentimes been a comic about Race, the South, and almost always masculinity. Every issue up until this one was often about men doing awful things to each other in the name of proving themselves. Whether this was an attempt to make a Father proud, show others how smart and strong they were, or something else, this comic has been about men being horrible and violent to each other. Roberta changes that when she appears. She is a Veteran of Afghanistan and knows better than to engage the ignorant populace in her deceased Father's old neighborhood, but she's tired, pissed-off, and not afraid to fight. When she beats-up some racist thieves it is as big a moment of catharsis for her as it is for the reader who has so far seen only the bad-guys win. At the end of this issue she clearly learns just what happened to Earl Tubb when he left his house to head to Craw County (where he died while trying to impose fairness and justice), and it is clear that while Earl had the will, he was maybe too past his prime to truly fix-up Craw County.
Roberta is in her prime, has just as much (if not more drive) and clearly is going to raise some Hell when she gets to Craw County. With the 14th issue, "Southern Bastards," clearly isn't just about masculinity, it is about humanity in general, and how toxic things such an obsession with being what you consider, "Best," brings out misery and hatred. Shit is going to be hitting the fan very soon in this book if issue #14 and #15 are any indication. I wouldn't have it any other way.

A Singularly Good Time
I know that isn't a really good or even apt pun, but I like it. Anyways, these two books were the best single issues of what I read this year.

Monday, December 26, 2016

Best Mini or Maxi-Series--2016 in Review

A Shorter-Run Doesn't Mean Limited Fun
This is about actual running and not comics,
but the sentiment still works!
A mini-series generally is six issues, and a maxi-series is twelve. These rules can be played fast-and-loose with pretty easily though because I've seen plenty of mini and maxi-series that are much shorter or longer. What you would call an 11-issue series I am unsure, as that is a really long mini or a slightly-short maxi, I guess. Anyways, the book I consider the best limited-time run was initially solicited as ongoing, but then the writer, Tom King, was signed by DC to work exclusively for them. We was allowed to finish other projects however, and stated that he had pictured this one going for 12 issues--a nice little maxi-series. It was already one of my, "Weirdest comics," of 2015 when it had just started and now that it has finished here at the end of 2016 it clearly isn't just weird, it is wonderful and amazing. What is the series, you ask?

The Vision
I already have said how the 11th issue was one of my favorite single issues of the year, and I mentioned that #1 and #2 came out in 2015, but the majority of the series was released in 2016 and that amazing 11th issue was also part of an overall fascinating whole. Through his taking pieces of past stories but not requiring readers to have much of any familiarity with Vision writer Tom King brings us something new and self-contained but also unquestionably linked to the main Marvel Universe at large. The artist on the (majority) of the comic's run, Gabriel Hernandez Walta also masterfully illustrates the proceedings, with an eerie calmness permeating much of the book before the later issues bring with them a great degree of disturbances and violence. A comic about a synthezoid struggling to try to be human showed us just how tragically human we can all be for the people we love--in this case Vision's family he created in a dream of a truly, "Normal life."

If there is any real downside to the book it would be that as it does exist in the general Marvel Universe nothing too big can happen, because at the end of the day The Vision still needs to be on the team with the Avengers, and even if some characters die how about we let another writer throw his daughter, Viv, into a team book and start drastically re-writing her personality? It's sad to think Tom King made something so amazing, but because of the laws of commerce his creation then gets exploited for anything usable now that he's left Marvel and has little-to-no say over what they do with his story going forward. Some people said how this comic was a bit like, "Watchmen," for a variety of reasons. It definitely is like, "Watchmen," in that Marvel couldn't wait to start picking its original ideas clean so to incorporate it into recycled concepts--so come see Viv join the latest iteration of The Champions! This time they're all teens! At least we got these stellar 12 issues.

Wednesday, July 20, 2016

Rant-Reviews: Image and Marvel

Open-Up With The Text
I've read an assortment of books from Image and Marvel. These were some books I wanted to take the time out to discuss, although there is still plenty else of note from the companies (Loving me, "The Fix," for example).

Some Reviews For Your Eyeballs
The Wicked and the Divine #21
You know, the same team behind this book does, "Phonogram," yet that book has always struggled to get anywhere near the numbers this title does. That's a shame as  both books are amazing in their own unique ways, with this arc of, WIC+DIV, as it is also known, being so jam-packed with action and startling reveals it basically is one big pay-off for those of us who waited patiently throughout the (mostly) McKelvie-less, "Commercial Suicide," arc that at times was a bit slow. I didn't know we would go from, "A bit slow," to, "Mother-loving breakneck speed," however, but I'm loving it immensely. A must-read book from some must-read creators.
5 out of 5 stars.

Horizon #1
It takes the entirety of the debut issue to get to what is the apparent point of the comic--aliens are preemptively invading Earth to keep us from invading them. There are all kinds of great allegories in that idea, but the book just takes its sweet time getting us there. Before that we witness some perfectly passable art showing an alien on what is basically a road-trip, making its way to a meet-up point whilst fixing broken equipment she has. The actual concept of the story is fascinating, but I was just bored waiting for us to get there. I'll check out the 2nd issue in hopes that helps move things along, but this debut was just way too decompressed for me to get especially excited, even with that killer reveal of the comic's plot finally appearing at the end.
2 out of 5 stars.

Snotgirl #1
This has gotten immense press because the writer is someone beloved by many for his, "Scott Pilgrim," comics, Byan Lee O'Malley. The art is very expressive and by Leslie Hung who has done webcomics before but I think this might be her first work to be published (besides webcomics that were then collected)? I honestly was really ready to write this book off until the last few pages suddenly made things really interesting with a huge zag where I expected the book to keep zigging. Basically we follow the adventures of Lottie, a self-absorbed fashion blogger who has bad allergies and terrible friends. A lot of plot and story is expressed via social-media messages as illustrated in the comic, everyone is in their 20's and thinks the world revolves around them, etc. It took me a bit to realize, but those shocking last pages make it clear that perhaps we aren't supposed to like Lottie, and maybe just maybe this book is going to be a Hell of a lot darker and more intriguing than the preceding pages focused on dating-drama and fashion-concerns make it seem. Should that be the case this book has gone from a yawn-inducing story about shallow, "Millennials," to a delightfully twisted story about how one person's narcissistic obsession with being perfect can lead to violent results.
4 out of 5 stars (thanks to the extremely surprising cliff-hanger).

Moon Knight #4
With this latest issue we see the creative team of Jeff Lemire, Greg Smallwood, and Jordie Bellaire firing on all cylinders. The story continues to be mysterious but it is looking like a number of questions will be answered--or at least addressed to some degree. We soon should soon know what the deal is with this, "Other," Moon Knight running about, and I for one am greatly enjoying this take on the character with its mixture of mysticism and surrealism.
4.5 out of 5 stars.

The Vision #9
Upon reading this issue I actually went, "Okay, yeah, I can maybe see now why The Vision does some of the things it has been warned he is destined to do (e.g. attack the Avengers). Tom King has been expertly building an incredible piece of fiction here, however, and with Mike Del Mundo's stellar artwork and fantastic colors by Jordie Bellaire (whom I just mentioned as she seems to be on all the great books) I really am starting to agree with people who say this is kind of like, "Marvel's 'Watchmen'." That comparison fits in the sense it arguably could stand alone (although other comic-knowledge can help), it has a great mix of characters, and dear God does it keep you on the edge of your seat with its slowly building tension that has been starting to pay off spectacularly. The Vision went from nobody's favorite character to a fascinating character thanks to this comic with its mixture of heroics, nightmarish-horror, and deep musings on humanity and the nature of evil. I tip my hat to this entire creative team and eagerly await the remaining three issues.
5 out of 5 stars.

Conclusions To Ponder
There are all kinds of titles coming out right now in a variety of genres. I'm annoyed by how companies such as Marvel and DC keep rebooting as that harms the clearly solid titles they put out. If it takes a line-wide re-launch every 12-ish months to get something like, "The Vision," however I'll deal with it. Meanwhile with Image there are are lot of books coming out and some books are perfectly fine and others are immensely impressive, the joy is in discovering what you enjoy...or something vaguely-inspirational-sounding like that.

Tuesday, January 19, 2016

Rant-Reviews: A Grab-Bag of Comics

An Utterly Random Assortment
Hey, you know how sometimes I have my rant-reviews/capsule reviews which follow a theme of sorts? Yeah, I don't have that today, just a smattering of comics to discuss.

The Grab-Bag
Power Rangers #0
This puppy from BOOM! has suddenly become a hot commodity, with both my friends at Comics Heating Up commenting on the new title as well as Bleeding Cool observing it is flipping for a solid chunk of change on the interweb auction sites. As for the comic itself? It's quite good. It manages to both tickle my nostalgia-nerve while not coming off as campy as the show did back in the day (I loved watching the original Power Rangers, and watched some of the later versions but lost interest around the time they were in space, or something). This, "Zero," issue interestingly drops us into a story where Tommy (already the green ranger) is with the Power Ranger team, but it is discussed how he hasn't been a teammate for too long, and it is made clear he is actually under the influence of their foe, Rita.

The intriguing aspect of this is how we aren't forced to read a bunch of issues setting all this up, we are just thrown into this status quo and trusted to figure out what has happened recently through our own careful reading of the comic. It is almost surprising to think a comic about something that gets mocked for being silly trusts its readers to be intelligent and deductive more than a lot of other supposedly, "Respectable," titles out there. There is also a back-up about Bulk and Skull, the comedic relief that have almost always existed in some form throughout the series, and another back-up that drags a little--unlike the initial story and the hi-jinks of Bulk and Skull. Still, this comic manages to be both a throw-back and modern, is fun but doesn't insult the reader, and otherwise is a snazzy read. Should you have ever played, "Power Rangers," on the playground as a young child (I'll admit I did) I would recommend checking this out for sure.
4 out of 5 stars.

Vision #3
My runner-up for weirdest comic of 2015 continues to just get stranger. Between the Visions clearly becoming more and more of a threat to those around them, some weird business with a magic flower that has to be ingested in a super-gross way, and confirmation that the Vision and his fellow robotic-wife have humanoid genitals of some sort, this is still a mighty weird read, and I love it for that. The strange quiet melancholy that finds itself punctuated with bursts of violence and rage results in a title that really is as much horror as it is sci-fi or, "super-hero," related. Superb stuff, and I loathe to think there could be some point it has to tie-in with an event or finds itself cancelled before the violent climax it is clearly building to is achieved. Read this and love it.
4.5 out of 5 stars.

Burnt Comix #1
Originally a small-press title written and drawn by Jayro Lantigua, the publisher Creature Entertainment picked this title up and put out a new edition of his strange work. I was interested in this comic because I'd heard that Lantigua's stuff was a bit reminiscent of Johnny Ryan--and I'd argue Ryan's work has a strange charm to it that made hearing a comparison sound appealing. As for the comic itself, it is some solid work but only seems to really strike a nerve in a few spots.

The majority of the comic concerns itself with a dog that is miserable and wants to kill himself, but finds the pound won't do it because he's too, "Self aware," and feels most ways to die are too ordinary. He eventually succeeds but finds floating around in the nothingness of the after-life boring, so when a dark force offers to bring him back, he accepts. He is restorted to life but also needs to devour other beings as a result--but its okay because he eats someone trying to rob his friends. It is silly stuff, and perfectly fine, but the opening and closing of the comic are the only times I felt Lantigua was really injecting some of his own pain and anger into the comic, expressing rage and sadness much in the same way as his fictional dog.

 You see, the comic opens with a young alligator (or is he a crocodile?) showing his father some comics he made and being told they are good, but he'll never make it as a comic artist. The comic then closes with a grown-up gator/croc coming to his father with money made from comics in hopes of impressing his Dad, but being told again he should have done something better with his time. It's harsh, and you really feel like these could have been conversations Lantigua had with his dad. Their pangs of raw emotion give the strips more gravitas than some of the other strips, because while an orgy of dogs can be hilariously disgusting, the gut-punch of a young man being shut-down by his father even after success is a really affecting moment. Overall this is a solid...
3.5 out of 5 stars.

Injection #6
It is funny how with the 5th issue of the last arc things finally started making some sense, so of course Warren Ellis makes this sixth issue and start of a new arc mostly unrelated to the previous issues and puts us right back square at the point of being utterly confused as to what in the dickens is going on. Still, this issue is full of dark humor, action, and gorgeous art by Declan Shalvey, even if I'm feeling befuddled again at least this is an enjoyable comic. As Image (the publisher) doesn't seem to set a strict rule on how long a series can be I wonder just what exactly the future holds for this title, or how many overall issues are planned for this potential future.
3 out of 5 stars.

InSeXts #2
New publisher Aftershock Comics has a variety of interesting releases, but this comic with its surreal insect-women and utterly bizarre mixture of imagery (done amazingly by Ariela Kristantina) that varies between grotesque and arousing is quite a fascinating read. There still is far too much that has not been answered by the title as to how exactly our protagonists have come across their powers, and new questions keep being introduced such as what a strange monster is doing popping-up toward the end of the book. I worry that if writer Marguerite Bennet has too many mysteries arise with not enough answers we will end up in a situation like the television show, "Lost," where we kept getting queries, but no conclusions.

That said, this is a highly enjoyable read going from seductive and sexual one moment with the reader enjoying the sensual drawings of our main characters, to a comic full of body-horror the next as the characters that were just looking appealing change in ways not appealing at all. It is a bit of a fun twist on the concept of the male gaze, as if the comic wants to say, "Here's what you want, naked women going at it, but now we're going to disturb you with those same women turning into hideous insects/inSeXts." In a strange way a comic that at first glance looks like pure cheesecake turns out to be a clever feministic commentary on the sexualization of women, both playing-up male desires and fears. Yes, I quite like this comic.
4.5 out of 5 stars.

Squadron Supreme #3
I'm really not reading much Marvel, but this is one of the small number of books from the publisher I'm picking up besides a few other odd titles (like the above-reviewed, "Vision,") and this one has had me purchasing it because the writer of one of my favorite mini-series in 2015 is behind it (James Robinson), and it features the Nighthawk of the Supreme Power Universe that helped herald-in Marvel's, "MAX," brand before the series was basically left to wither and die between re-launches, spin-offs, and tie-ins with other series--still, those early issues were dynamite stuff.

That makes me feel a bit disappointed that after a shocking first issue where the team killed Namor (I would say, "Spoilers," but Marvel actually spoiled it themselves before the comic came out to build interest)  the comic has basically just sort of sat around, with these fascinating characters who are the last living inhabitants of destroyed Universes (all of which have appeared to some degree in previous Marvel titles) just kind of milling about while a threat of some sort that Nighthawk is investigating builds-up. The thing is, this issue we don't learn much about what exactly Nighthawk is looking into because this whole issue is essentially a long fight-scene between the Squadron Supreme and one of the ten-or-so Avenger's teams running about these days--this is the one with old Steve Rogers and Deadpool.

Seriously, Nighthawk and Steve argue for a minute, a fight happens, and the issue ends with the team being saved from capture by Thundra of all people and being whisked away to a land called, "Weirdworld." I looked into it and this Weirdworld is a hold-over from Marvel's, "Secret Wars," comic that actually finally wrapped-up. Why the team has been transported there remains to be seen, but hopefully things will get more interesting, as right now we've had a good first issue, and two dull issues after it.
2 out of 5 stars.

...And We're Done
Well, the grab-bag is all, "Empty," now, so-to-speak, meaning this edition of my rant-reviews has concluded. I hope you enjoyed this random smattering of comics.

Thursday, December 31, 2015

2015 In Review--Weirdest Comic of the Year

Just Plain Strange
There are always comics that go beyond being a little different and enter the realm of outright weird. This year one comic handily took that title and another comic was a bit too new for me to fully qualify, but easily is a runner-up.

Providence
This series has had six issues come out, and despite starting out a tad slowly (or maybe because it started slow), it has over time grown increasingly dark and twisted, with issue #6 taking things to a whole 'nother level of terrifying, bizarre, and just plain weird. Between the slipping grasp on reality held by the main character named Robert Black, otherworldly entities influencing people in horrific ways, and all sorts of surreal nastiness, this is an abnormal kind of comic for sure.

Some people have protested that Alan Moore is over-the-hill but I think he still has some solid stories in him, as evidenced by the madness on tap in this series. The clever way Moore works-in characters from throughout the bibliography of HP Lovecraft is crafty, and it is ingenious how Moore puts elements into the story of things that would have upset/disgusted Lovecraft (namely that Robert Black is both secretly gay and secretly Jewish) and makes the prejudices of Lovecraft's era--reflected in Lovecraft's own writings--an intriguing part of the story itself.  Moore deserves immense credit for that smart way of using Lovecraft's own fears, "against him," as it were.
A well filled with a gross plant infecting all around it,
a clever metaphor for the madness afflicting the main character.
At this mid-way point in the series it has become harder than ever to tell what is real in our character's world, and what is his imagination/an evil force influencing him. It is scary, uncomfortable, and of course very, very weird. This is why, "Providence," is my weirdest comic of the year.

The Vision
Only two issues have come out so far of, "The Vision," but they have been superbly twisted and strange enough to really make an impact on me. Putting the concept of the main character, The Vision, being a synthetic human struggling to be, "Normal," to the forefront, this comic follows The Vision and a family he has created of a wife and two children. Without the narration the comic would be a tad uncomfortable, but thanks to the third-person narrative boxes discussing how all these characters The Vision and his family meet will soon die due to the actions of The Vision and his family the comic ramps-up its ominous tone to the stratosphere.

The weird disconnect between these robotic beings struggling to understand humans while not having emotions (or do they?) makes for some fascinating reading. This series is still too new in my opinion to be declared the weirdest comic of the year, but it certainly has struck me as odd enough between its subject matter and discomforting narration to be considered the runner-up.

Wacky Stuff!
There may not have been anything as odd as this,
but things still got pretty strange!
There are always comics that can be a little different, but sometimes you just want to enjoy something really weird. These two comics fit that bill in my opinion and I encourage you to read them and see if you agree with me.