The Continued Fear of a Black First Lady, All These Years Later

I want to talk about June 14th, 2026. However, in order to do that, I feel a need to take us back to 1990, then 2008. Bear with me.

It's April 10th, 1990. Public Enemy has released their third studio album, "Fear of a Black Planet." The title is a metaphor for the growing anxiety of white folk--specifically in America--about the growing economic, political, and social power of black people. A critical and commercial hit, it was controversial, edgy, and is found now on many, "Best albums ever,"-type lists.

It's November 8th, 2008. Barack Obama has been elected the 44th President of the United States. Everyone thought Hillary Clinton would crush him in the primaries, but Obama's amazing speeches, easy-to-like personality, laid-back demeanor, and general magnetism assisted him in beating John McCain for the office of the President. Some people use this occasion to remark that racism is somehow over. That remains wholly false. It shows that sometimes, racism can be overcome. If the person running for President is black, America will overlook/"Allow," it if he's super-smart, one of the best public speakers ever, has little to no skeletons in his closet. After all, "At least he's still a guy." 

Barack's wife is a beautiful, smart woman named Michelle who has spent her life committed to various causes aimed at helping others. Obama will serve two full terms, and before leaving office in January of 2016, will receive some of the most vicious, hateful treatment from the media and general populace any political figure could imagine. Arguably, the only person to get it worse during those eight years is Michelle.

Inauguration Day, January 20th, 2009

It's June 14th, 2026. Donald Trump is President, again, after serving from 2016 to 2020. He's only the second person to ever serve two nonconsecutive terms (the other is Grover Cleveland). It is the 250th birthday of America, and it also happens to be Trump's 80th birthday. The White House lawn is featuring a number of UFC bouts. The head of the UFC happens to be friends with Trump. The event is streaming exclusively on Paramount+, with its owner also happening to be a chum of Trump. 

A man named Josh Hokit wins his fight against Derrick Lewis, and during his post-match interview with Joe Rogan (because, of course, he has to be in this story somehow), Hokit randomly declares, “And lastly ‒ Michelle Obama is a man! Am I right, America?” It's 2026, but somehow it is simultaneously 2008, 1990, the Jim Crow era, and all the way back to the past when a white person first decided that a black person was somehow, "Less than," them. "Fear of a Black Planet," shifts into a smaller-scale but just as potent fear of a black First Lady. Almost ten years later, Barack and Michelle somehow still take up so much space in many conservatives' heads.

I sit here, now, on June 15th. I am not surprised in the least that Donald Trump had a bunch of people pummel each other on the lawn of the Capitol as a birthday gift to himself. I am also not surprised that someone said something horrific about the Obamas because even though it's nearly been a decade since Barack has held office with his wife as First Lady, Donald Trump and others just can't--as Elsa would sing, "Let it go." Let it go Obama was a good (but not great) President. Let it go people will always like him more than Trump. Let it go that he's just genuinely a better human than Trump, which might be part of the problem.

Barack and Michelle were too perfect for conservatives. There must be some dark secret. A popular conspiracy theory that started to spring up was that Michelle was somehow formerly a man, or still secretly a man. This rose to prominence along with the other old chestnuts that Barack was born in Africa or a secret Muslim. This way, you could also throw in some homophobia and transphobia with the racist/religious attacks. None of these ideas are rooted in facts, but to some people they just feel true. Falsehoods don't care about facts; they thrive on half-truths and imaginings.

Michelle Obama once said, "When they go low, we go high." A wonderful sentiment, a thought I respect. That said, I sadly disagree. I am more with popular radio personality Lenard McKelvey AKA Charlamagne tha God, who counters that statement with the idea that when they go low, sometimes you have to go down to the floor with them. Democrats and their philosophy that they are too good to, "...get down in the mud with the fucking elephants," (a great quote from the movie, "The Ides of March,") has resulted in the party looking weak, ineffective, and capable of earning defeat in situations where victory should all but be assured. 

The first time Trump, "Won," against Hillary Clinton, he lost the popular vote. That is true, despite Trump's loud protestations otherwise. The second time he ran, Trump lost to Joe Biden. On the third occasion, he handily defeated Kamala Harris (if America can barely stand a black first lady, it seems it will all but surely decline a black and female President), with Trump saying awful things and showing awful tendencies the whole time he was running. America wanted the (supposedly) rich, loud, angry fool--as long as he was white.

We're still here, June 15th of 2026. I still am not surprised at how bad things have become politically. I hold some hope, and a lot of rage. Rage can lead to destruction or simply feeling defeated. It can also inspire action to make things better. I've worked with political groups on smaller scales and larger scales quite recently in an effort to focus the anger positively. It is 2026, and America has a fear of a black planet, an LGBTQ planet, or frankly, any kind of planet with equality and diversity. That doesn't mean we'll stop fighting for it. We will go high, low, or any direction necessary to bring about positive change.

Sick and Exhausted

I was unable to attend Tatertot Con Jr. due to being extremely congested and too tired to leave the house much at all. I heard it was a fantastic event, however. For me, today was spent feeling generally lousy and resting. I hope to improve tomorrow and as the week progresses.

I'm Excited for a Fun Comic Show Tomorrow and Another Next Week

There are two awesome comic shows that are now set to occur within the next two weeks! Tomorrow, June 14th, will have the Tatertot Con Jr. It will feature free entry for the entire show's event time of 10AM-4PM and this, "Junior," convention will be taking place at the Rock Roll-O-Rena. Found at 4153 Jeffco Blvd in Arnold (Missouri), there will be 40+ vendors with comics, collectibles, and all other kinds of goodies.

A week from today, on June 20th, the Arch Rivals Collector Fest shall happen at the Moolah Shrine Center (12545 Fee Fee Rd, Maryland Heights, Missouri). The doors will open at 8AM for early bird entry and then at 9AM for general admission, with the show running until 2PM. Early bird entry is $10, general admission is only $5, and kiddos get in free! There is going to be a slew of vendors and some really snazzy guests, including popular voice actor John Gremillion, comic colorist Alex Sinclair, and artist Baldemar Rivas. I look forward to attending Tatertot's show tomorrow and Arch Rivals Collector Fest in seven days!

Flashback Friday: Seven Years Ago the Saint Louis Blues Won the Stanley Cup

This week in 2026 has a lot of sports events occurring. The NBA Finals are ongoing with the Knicks having completed an astonishing comeback in the most recent game. The World Cup has kicked off, and the Stanley Cup Finals are five games in, with the Hurricanes one win from clinching it and the Knights needing to push things to a Game seven if they want the cup. Funny enough, with so much going on now, my mind on this day specifically wanders back to seven years ago. You see, on this day in 2019, the Saint Louis Blues went from starting January of that year dead last in the NHL standings to winning the Stanley Cup in game six. Things have changed quite a lot since then, with Saint Louis having had some solid seasons and some stinkers. That game, though, it was an event.

I've been forthright on this blog about how the only sport I follow much is hockey, and that was such a wild thing to witness when Saint Louis hoisted the Cup. Afterwards, I remember the parade here in STL (which I watched on television because I wasn't about to brave traffic to get over there) and just how happy everyone was--and drunk, a lot of people were quite gleefully drunk. I do not have a strong preference regarding whether the Carolina Hurricanes or the Vegas Knights win. It would be pretty exciting if there were a game seven as an excuse for one more opportunity to watch the NHL this season. Of course, it isn't as exciting as back when the region I happened to live in managed to win it all, but one can always imagine that day coming again. Hopefully, not too many years from now.

Surprise: ROM Has Joined the Energon Universe

The Energon Universe involving Transformers and G.I. Joe was a bit of a surprise that leaked shortly before the release of the debut Energon-set comic, "Void Rivals," #1. Since then, the involved comics have been quite popular in their use of assorted beloved properties (and original creations) to tell some epic tales. "M.A.S.K." #1 came out today and takes place in the Energon-verse, but a big surprise was held within some of this new issue's blind bag variant option. A first issue of a completely separate comic, "ROM," #1 could be found among the other covers and such. Yes, another retro property with many fans will be in the Energon Universe as well!

I tip my hat to the main architect behind much of this, Robert Kirkman. He pretty much set off the latest blind bag craze with that first issue of, "Battle Beast," so it is fitting he would help give the trend--that seems to be running out of steam--a shot in the arm with this clever stealth-announcement and debut-into-Energon of ROM. This was definitely a clever way to get some extra buzz!

Marvel's Mangaverse Rises From the Grave for it's 25th Anniversary

Marvel has done a variety of interesting things in its publishing history. Some things were interesting ideas but misfires (New Universe). Others were generally cool, like their, "MAX," line with mature-leaning stories (plus, uncensored swearing). Then there is the Mangaverse, which was relatively popular at the time, but is vaguely remembered these days. Marvel didn't totally forget it, however, as in honor of this year apparently being the 25th anniversary of the line's debut, they're doing five one-shots that link thematically. Kicking off at the start of September with, "Web of Blood," it will be followed by, "Iron Knight," "Arcane Avengers," "Ghostlocke," and wrap at the end of the month with, "Web of Destiny."

I, honestly, never really read much of the Mangaverse. Frankly, I didn't read any manga until a bit later in my life when I discovered a number of great stories in that storytelling medium. I am curious about this revisitation of the Mangaverse. Plus, considering how the popularity of manga in America has only grown over the years, it will be interesting to see if the Marvel Mangaverse's return is a hit or lands with a thud.

"Crazy Taxi: World Tour," Looks Fun, but the Use of Any Generative AI Makes Me Worry

Back in 2024, I discussed how, "Crazy Taxi," was a franchise that I had many fond memories of--and which was possibly going to get a new game at some point in the future (as per rumors). Well, "Crazy Taxi: World Tour," is official! However, there is a troublesome catch. The good stuff is how it looks like, "Crazy Taxi." You've got the big yellow cab, it does tricks, you speed around to get people where they need to go, and there is some quality vintage punk music. Plus, it is not just an arcade-style game, there is a story mode, which gives a reason for the globe-spanning adventure. An irritating concern that has been pointed out, though, is the disclosure of generative AI being used. 

Supposedly, AI stuff is being used for, "reference," with nothing ending up in the game. Hearing it has involvement is always discomforting, as a game using generative AI is a proces which has faced, "...widespread criticism as the tech must be trained on existing work by human artists, thus making any assets made with it essentially plagiarized without credit or compensation of the original creators. That’s not even factoring in that the tech, while often producing shoddy work no one with a modicum of taste would pay money for, is often being positioned as a threat to creative jobs by corporate suits looking to reduce human labor costs across several industries, including film, books, and video games," as Kotaku puts it. When I hear generative AI is, "Only being used," for this or that, I do still hear it is being used by a company in some manner. 

AI can have its uses, but I see a metaphorical light drizzle of, "We just used AI for some reference images," turning into a drowning downpour of, "Our game is basically entirely AI besides the guy/gal who put in a bunch of prompts!" with it (obviously) being the biggest piece of disjointed, unenjoyable slop. I am potentially excited for, "Crazy Taxi: World Tour," but I remain guarded against the growing sentiment of, "Let's use AI for everything and put it in anything we can!" Things are only going to get crazier regarding AI, that's for sure.

"The Matron," #1 is a Great Start to a Horrific Tale

Drew Edwards is the main creator behind, "Halloween Man," and when I made him aware of how much I enjoyed the trade paperback collection of a number of the character's stories, he offered me a free digital copy of, "The Matron," #1, which I could read and review if I saw fit. Written by Edwards along with David Bowles and featuring art by Monica Gallagher, I found the first issue of, "The Matron," to be quite creepy and intense. The comic jumps around between 2021 and back in the 1970s. A family that engaged in ritualistic cannibalism was taken down by a police officer (who was also a relative) and in the, "Present," we follow various generations of offspring trying to live normal lives despite the disturbing familial history. 

The comic's flashbacks to the past feature lots of gruesome horror but it never feels over-the-top or unnecessary--if a family is full of cannibals, you should probably give readers a look at their, "Unique," dinner setup, after all! In the present, it is strongly hinted that violence may soon resume with one seemingly, "Normal," older family member primed to soon take up the family legacy of ritualistic violence. This was a stellar first issue that excels at giving us some backstory and setting up tension for the issues to come. I look forward to seeing just how crazy things get!

Some People Are Mad at the new, "God of War: Laufey," Because You Play as a Female Character. Wait, Seriously?

“God of War,” is a long-running game series. The earlier ones were extremely over the top and followed a protagonist named Kratos as he killed a bunch of Gods who had wronged him. The series restarted its numbering for a new thematic era but kept the continuity, focusing on Kratos and a young son, Arterus, whom he had later in life. Those games also involved Kratos mourning the death of his wife (and Mother of their child), Faye. All the GOW games are extremely popular (especially the more mature and thoughtful ones with Kratos as a Father). I have to be honest and say that I have never played them but have watched clips and find the assorted entries interesting to learn about. I’ve aimed to play some of them eventually, but my backlog of games is truly ever-growing. To get to the point of this article, a spin-off game focused on Krato’s deceased wife, Faye, was just announced. It takes place concurrently with the other games and follows her working to navigate the afterlife. It does not appear to have any political message or anything but some people immediately made it another lightning rod in the internet’s unending culture wars.

People have argued that Faye looks dirty or ugly and needs to be prettier, with it some kind of concession to liberals that she isn’t a smoking hot big-breasted MILF. The most generic statements I've seen basically say that it is somehow, “Woke,” to tell a story with a lady as the protagonist. I am a very politically active person who holds many opinions, but even I know that sometimes a game about a woman slaying demons in the afterlife on an epic quest is just meant to be fun without any super-secret sociological statement. Some video-games do have a particular big message, whether it is, “War never changes,” even with a nuclear apocalypse (Fallout) or weird metaphors about racism via robots (Detroit: Stay Human). Not every game is trying to spark a complex dialogue, however.  Even the latter, “God of War,” games have a lot of drama about how hard it is to be a parent while grieving (Kratos loved and misses his wife), and that’s not a controversial statement! It is a relatable topic for many. The idea of Faye missing her husband and son while slicing up foes could be covered in the game, but that’s hardly anything to spend hours arguing about online as if this game asked to be the new poster child for all that is great and/or awful about games and politics. Just chill, everyone.

The, “Avengers,” Comic Has a Relaunch Incoming

When it was recently announced that a relaunch of the, "Avengers," comic was happening with Chip Zdarsky writing, my first reaction was, “Wasn’t this declared months ago?” You see, in my apparent ignorance, I thought the new, “Avengers: Armageddon,” comic which Chip Zdarsky is doing with artists Delio Diaz and Frank Allier, was the latest ongoing book about the Avengers, hence, you know, the book’s name. Apparently, it is merely a five-issue miniseries that will lead into the actual relaunch of, “Avengers,” this Fall. It will continue to have Zdarsky writing it but will feature Marco Checchetto on art. Why they did not make the Armageddon mini-series simply the first arc of this new series, I am unsure; comics, they never make sense, and that’s so fun!

Anyways, the latest true run of, “Avengers,” hits stands this November. Zdarsky is among a relatively small number of writers over at Marvel who are putting out stuff I dig (much of Marvel’s output lately is weak), so I am a bit excited to check this out along with its lead-in, “Avengers: Armageddon." I’ll put up with nonsensical series orders if the talent is solid, I suppose.