Showing posts with label Archie Comics. Show all posts
Showing posts with label Archie Comics. Show all posts

Tuesday, August 4, 2026

Observation: We Need More Weird/Wacky Crossover Comics

A comic crossover can be relatively small-scale, such as when two characters in the same Universe have a special comic/mini-series. The Fantastic Four and the X-Men, for example. We also have different Universes within the same publisher, like when Peter Parker and Miles Morales first met (when he was in the original Ultimate Universe). Then, you've got crossovers between publishers, be they having Batman meet Deadpool, Vampirella and Witchblade teaming up, or the cast of Black Hammer chatting with the Justice League. You know what I really like, however? Weird crossovers. Not just quirky, but ones that outright shouldn't make sense yet end up working against all odds.

DC owns Looney Tunes and DC heroes. There was a time when various Looney Tunes characters had crossover comics with assorted DC characters. Many of the comics were forgettable except for Batman facing off against the ice-old assassin...Elmer Fudd. Yes, seriously. It was hardboiled, dripping with a sleazy vibe, and Tom King wrote it so seriously, with Lee Weeks giving us art that went so hard, it was amazing. It took something silly and combined it with something decidedly less, "Cute," and the result was good. Think of when Archie met the Punisher. 

True, Frank Castle doesn't kill anyone during his time interacting with Archie, but he's still pretty grim and slightly (just slightly) finds the earnest innocence of Archie and his friends endearing. Archie does a lot of weird crossovers, honestly, and I applaud that. He's fought the Predator, been a bit shocked by the harsh language of Kevin Smith's Jay and Silent Bob, and soon Riverdale is going to combat the Terminator! 

A weird crossover is good fun, whether it's Godzilla fighting Marvel, DC, Sonic, or anyone else--a Kaiju up against anybody is zany! I mean, IDW once did that crosser-that-wasn't-exactly-a-crossover with, "Infestation," where some original characters happened to meet everyone from the Ghostbusters to Star Trek's crew, G.I. Joe, and more (although the various brands did not meet). The most recent outrageous crossover I dug was that, "DC K.O. Boss Battle," which had DC's characters running into everyone from Homelander, to Sabrina the Teenage Witch, Mortal Kombat characters, and a talking serial-killer bear from the popular, "Beneath the Trees Where Nobody Sees," series, to not even name everyone. It was bizarre and glorious. 

We need more crazy stuff. Things where when they are first announced people ask, "Wait, is this a joke?" then get excited at just how wild these crossovers get. I appreciate that comics can be serious literature, but sometimes you just want to see Popeye fighting the aliens from, "Mars Attacks," for funsies! My point is, I hope companies keep the wacky intra- and intercompany crossovers coming!

Thursday, July 30, 2026

Shaquille O’Neal is Involved in a Comic About a Historical Pirate. It Sounds...Good?

Look, plenty of celebrities get involved in making comic books. Quite often they are incredibly forgetful books, or the celebrity has basically zero involvement besides licensing their name and likeness to be used in the comic. Exceptions to this, "Rule," exist, of course, because Gerard Way (of My Chemical Romance) and his, "Umbrella Academy," comics remain an utter delight (which also received a Netflix adaptation that varied in quality from amazing and imaginative to uninspiring and tepid). Hence, when I saw a headline declaring Shaquille O’Neal was involved in creating a comic, I assumed it would be something about basketball. That, or involve someone who looks like him that also happens to named Shaq before becoming a superhero, or something. Instead, it is a historical fiction piece on, "...the West African pirate known as Black Caesar, who was active in the Caribbean during the early 1700s." That sounds pretty cool, actually.

"Vengeance Unchained: The Legend of Black Caesar," is the full title of this five-issue mini-series. Shaq isn't super involved in the comic as far as I can tell, with writer Stephanie Williams, and artist Ray-Anthony Height (and his team at Studio Skye-Tiger) doing much of the comic creation, but it is still something that says Shaq, "Presents," so I suppose without his involvement this wouldn't get made. This is the first-ever comic Shaq has been involved with, and I'm not sure if he brought the idea of the book to Archie or they asked him about it, but he discussed in a press release about the book, “Growing up, I always loved stories about warriors who refused to quit. Black Caesar starts as a king, loses everything, and takes his freedom back on his own terms. That’s the kind of story I want to help tell. We built something that’s going to entertain you and make you think. I’m ready for the world to see what we created with Archie Comics, an iconic brand I have been a big fan of for many years. Archie has such an incredible legacy of storytelling, and being able to collaborate with a brand that has meant so much to generations of fans made this project even more exciting for me.”

The real Black Caesar doesn't have a ton of documentation, but enough is out there to confirm he did exist. He was (apparently) a war chief who became enslaved before joining in piracy and serving under Blackbeard up until that infamous pirate was killed. Black Caesar was arrested and faced trial, but he was acquitted, and then what happened to him next remains a bit of a mystery. I just think it is cool to see a celebrity known for a variety of other things (basketball, sports commentary, a tiny bit of acting, a short rap career) engaging in a comic about a random-but-quite-interesting subject. I'll check out the first issue this October!

Saturday, December 20, 2025

Oni Press to Publish Archie Comics in 2026

Archie Comics has been its own publisher for decades and will still exist, but starting in 2026, Oni Press will be publishing a number of Archie floppies as well. As Comics Beat observed, "That’s the short version of yet another comics publishing trend that is becoming increasingly common: legacy publishers licensing out their venerable titles to other publishers who can bring a fresh take." We saw this with EC popping up over at Oni as well, after all. Oni gets some well-known characters, and Archie gets an injection of new life in their properties. Archie still has the rights to publish the, "Classic,"-style material, and Oni does the monthly newer stuff with more modern sensibilities.

There are many plans as, "Oni will also publish their new ARCHIE #1 in September 2026, and the line will continue with brand-new collections spanning all eras of Archie’s history in a variety of formats – including compact digest editions, deluxe hardcovers and omnibi, and comprehensive box sets. In 2027, the Oni/Archie line will expand further with a line of middle grade and YA graphic novels, but set in their own continuity line." That's a lot of Archie-related content to look forward to, and yes, it includes a new, "Sabrina the Teenage Witch," comic as part of the new line and the horror-focused series that have been popular (I just posted yesterday about an, "Afterlife with Archie," comic giveaway). I look forward to learning more about all these new comics as we enter into 2026!

Friday, December 19, 2025

15th Anniversary Giveaway Post 4: An, "Afterlife With Archie," #1 First Printing Comic With a Variant Cover

What's this? Another giveaway thanks to my chums over at the website Comics Heating Up/Comics Heating Up Forums? That is correct! They are all incredible folks and courtesy of them I have a copy of, "Afterlife with Archie," #1 to have mailed to a lucky winner! This issue features a fantastic variant cover by Andrew Pepoy and is bound to only grow in popularity since the announcement of an, "Afterlife With Archie," show is in the works!

To win this incredible prize, you only need to comment with your name and email address on this post within the next 48 or so hours. That, or you can email me at davidbitterbaum@gmail.com if you would prefer your email not be public. Thanks yet again to the great folks at Comics Heating Up for this giveaway!

Monday, October 27, 2025

Cue the, "KPop Demon Hunters," Themed Comics!

There are not any official, "KPop Demon Hunters," comics at the moment. I am 100% sure there will be soon as it is massively popular and just already signed a deal for tons of toys (so comics must be coming soon, too). That said, the lack of official comics won't stop knock-offs or homages. In January of 2026 an, "Archie's Valentine's Spectacular," will feature a K-pop hunter-style story and Antarctic Press is putting out little sketchbooks themed for K-pop and Demon Hunting. This is, undoubtedly, the tip of the iceberg, so buckle up for plenty of comics that are just legally distinct enough to avoid lawsuits or can claim parody/satire. Then, before long, the official comics, manga, and so forth will be on the scene and sell plenty of copies as well.

Monday, April 7, 2025

The, "Santos Sisters," Volume 1 Collection is Joyful, Undiluted Fun

The, "Santos Sisters," are a clever pastiche. The art style is reminiscent of vintage Archie/Sabrina/etc. strips but the jokes carry a much more modern sensibility, plus there is a bunch of gentle prodding and joking about superhero comic conceits. Created by the duo of Greg & Fake, "Santos Sisters," has been self-published, had issues released by Floating World Comics, and much of their adventures (so far) have now been collected in a snazzy hardcover printed by Fantagraphics (who sent me a copy for the purposes of review when I reached out and asked for one). I greatly enjoyed reading the adventures of sisters Ambar and Alana, that's for sure!

One reason, "Santos Sisters," works so well is the clever mish-mash of nostalgic and modern vibes. There are riffs on classic comedy tropes (for example, one unveiled villain complains about the, "Meddling," sisters in a homage to Scooby-Doo), the art looks straight out of vintage funny books but with a nice modern sheen, and the problems of today are tackled but always with a nice lighthearted and fun tone--a stalker ex-girlfriend is more hilarious than scary with her 8-ball themed explosives in one strip. "Santos Sisters," works as its own standalone piece, but is even more superb when examined as a comic for those who love comics and silly fun. 

Little in-jokes, such as a newscaster named "Rob Liefeldteeth," bump up against anthropomorphic robbers riding jet skis straight out of a Saturday morning cartoon or a character quite similar to Conan the Barbian. That isn't to say the comic is at all childish or only dedicated to gazing in the past. The grown-up story beats cleverly contrast with the other elements. A lot of raunchy jokes take place, for sure! As I said, there is a mix of old-school vintage style melting into some edgy and sharp humor.  This comic is perfect for GenX or Millenial readers, in essence, so I ate it up.

"Santos Sisters," is a fantastic comic and I am very pleased to have this hardcover collection that I can revisit and enjoy whenever I need a strong shot of fun with no downer, "Ironic," chaser. This comic is intentionally joyful, fun, sex-positive, wacky, and full of clever homages and in-jokes. It's a real treat to read and I hope we get plenty more, "Santos Sisters," comics in the years to come!

5 out of 5 Stars.

Sunday, April 17, 2022

Archie Comics is Doing NFTs and Nope, Just Nope!

It was announced that Archie comics (with the help of an agency known as Palm NFT) will be bringing us an Archieverse in the form of NFTs. Folks will be able to buy one of 66,666 tokens for $66.66 each and then will get to play games and contribute story ideas for new Archie horror comics. If your ideas or artwork get chosen you get some royalties and story credit. In other words, people will have the ability to buy the right to pitch Archie comic ideas. It's quite the clever scheme if by clever you mean stupid. Individuals are expected to pay to enter some community with little alternate reality games and to get to try to break into the comic industry--the industry should be paying you, friends, not the other way around. It goes without saying that a lot of Archie fans (young or old) don't like this

This is a shame as Archie has put out some damn good comics in the modern era, with some of the horror ones being fantastic before they were horrifically delayed (to the point I doubt they'll ever actually conclude). We all know NFTs are a scam. The biggest supposed success story from them is a game that is basically digital feudalism and suffered a massive hack of the supposed super-secure currency. It is one big hustle, all of it. Alas, until NFTs come crashing down the grift will continue.

Wednesday, September 23, 2020

Archie Comics Goes Day-and-Date With Unlimited Digital Streaming

I get an assortment of press releases in my email off-and-on. One caught my eye today, however. It seems Archie comics, the publisher of such comics as, "Sabrina," and, "Archie," are going to be going day-and-date with digital streaming. This means when an Archie comic is released to comic stores (be it the all-ages ones or the more direct market focused titles for older readers like the horror ones) it'll be available digitally on ComiXology Unlimited the exact same day to read with a monthly fee. This is notable as while Marvel, DC, and many other publishers are day-and-date where you can buy a diigtal copy of a new comic, they don't put their latest releases on ComiXology Unlimited. Marvel's digital offerings you can subscribe to are generally on a six-month delay and DC's subscription service (which is currently dropping shows for just being comics) is similar, digital-first comics aside.

Why does this get my attention so much? Well, there are more and more rumblings from some readers of comics they would like an option where they pay a flat fee and a variety of publishers make their books available digitally as soon as they are physically released too. It is like music streaming services (think of Spotify). You pay the monthly fee and get the latest jams online, but you could always go to the store and buy a physical copy of your favorite new LP. Now, such a market where everything a big publisher puts out is available digitally for a flat fee or can be bought at a store with zero delays to digital would probably decimate the comic market if someone such as Marvel, DC, or Image did it. Making all your comics day-and-date streaming sounds kinda crazy if you're them. For Archie comics, though, it may just work out well.

Thursday, June 27, 2019

Random Statement: Jughead is my Favorite, "Archie," Character as this Article About Him Reminded Me


I just wanted to share the random thought that Jughead is my favorite, "Archie," character. I was reminded of this today reading a piece on Comicsbeat discussing how Jughead is arguably the most well-known Asexual character in comic-books. His Asexuality is not why I am a big fan of him, but I was pleased when it was made explicitly clear he is Asexual. We have characters like Archie who is always dealing with his usual cliché drama of whether he wants to be with Betty or Veronica, and a variety of other straight characters, plus some gay-representation by Kevin Keller, who also is a wonderful person thankfully not wholly defined by who he is attracted to.

It makes sense for Jughead to be clearly made Asexual however as he (almost) never in his comics expressed sexual interest in anyone. Asexuality is of course a complex subject with a variety of intricate elements (Asexual does not mean Aromantic for example), but it just makes perfect sense for Jughead. When you think about him you consider how he's a chill dude who loves hamburgers and hanging-out. He is probably one of the better-fleshed out Archie characters because he is not defined by his romances. A big element of Archie, Betty, and Veronica of course is the romantic drama. Jughead however is defined by himself and what makes him cool separate of whom he is wanting to make-out with.
Jughead is delightfully sarcastic, I like having chums with good jokes.
Jughead is someone I'd like to be friends with. He is clever, funny, is a foodie (although with my beef allergy I can't eat burgers), and otherwise is a relaxed and cool guy. His Asexuality is another interesting thing about him, but not the main interesting thing. Even if some versions of the character don't have him as Asexual he is still always a cool dude overall.

Sunday, January 13, 2019

The Weather Was Cold but the Toyman Deals were Hot!

Yesterday was extremely snowy, but thankfully thanks to the hard work of snowplow trucks and things getting a bit warmer the roads were just a bit wet (not even that slick). Therefore, I was able to shovel our drive-way and make my way to today's Toyman Show. I was eager to trade some comics of my own I brought (and I had a little bit of cash) to acquire some cool reads for a good price. Sometimes when I go to the show I'm looking for Funko Pops or other toys, but today I had comics on my mind, and I had immense success finding some cool stuff!

I found a really old comic featuring Archie and his friends as well as an old issue of, "DC Showcase #40," with an early appearance of the Metal Men. The comics are far from near-mint condition but that allowed me to get them for reasonable trades/prices!

I talked with one vendor at a table named Dan, who was at the show with some wares from his store, Comic Service, located in Springfield (Illinois). I traded some comics of my own for these cool digest-sized reads about Green Lantern and UFOs.

These rad issues of, "Master of Kung Fu," were on sale for just a buck each and I couldn't say no to some vintage adventures of Shang-Chi.

Lastly, in the upstairs section of the show I bought some assorted ashcans, underground stuff, and this really cool read featuring The Thing (of Fantastic Four-fame) fighting a Spider-Man foe I feel is underrated, the Rhino.

Today's Toyman show was (as always) a delight. This time I was after awesome comics and I succeeded at finding them. There was a wide array of toys for sale too--obviously--including everything form old action figures, to hot wheels, lego, and so much good stuff. The next show is March 10th, and I hope to be there without a doubt (regular admission starts at 9AM for $5 with 16-and-under free, early bird entry is 8AM and $12). I'll see everyone there!

Sunday, July 1, 2018

Comic-Con International/San Diego Comic-Con Is This Month, It'll Be Interesting

Comic-Con International (CCI) may have become its official name, but most folk still call it, "San Diego Comic-Con (SDCC)," and it happens this month, officially starting Thursday July 19th (with the usual special industry, "Preview Night," on the 18th) and running until Sunday the 22nd. I won't be going because even if I were able to get press access (maybe I could?) I don't have the immense sum of money required to find a place to sleep at night--hotels jack-up the rates to absurd amounts and still sell-out and I don't find my heart aflutter at the idea of paying $500 on Airbnb to crash on someone's couch or something like that.

It's bound to be another interesting SDCC, with one wrinkle being how Marvel and HBO will be intriguingly absent from having any big, "Hall H," presentations, the kind of which people wait hours upon hours in line for with the hope of attending (they'll have booths, just no big presentations). DC will be still be there trying to convince people its cinematic universe has a pulse beyond Wonder Woman, plus the Archie-meets-"Dawson's Creek"-with-a-dash-of-"Twin Peaks"-show, "Riverdale," that all the kids these days love will be in Hall H as well.
There are tons of exclusive toys that will be at the convention, from Lego sets to Funko Pops. Plus countless comic-creators, exclusive covers, and tons of vendors will be there. Basically it another year so we are in store for another big SDCC, it just might not have as much news coming out of it in regards to some popular movies and shows. I'll of course keep my eyes peeled for interesting news that emerges during the show and then post about it with the requisite snarky commentary.

Monday, July 24, 2017

A Small Number of SDCC/CCI 2017 Observations

San Diego Comic-Con/Comic-Con International has concluded, and frankly not a ton of note occurred. I can really just in a short number of paragraphs say what I thought was at least slightly worth discussing...so I'll do that now!
In regards to Marvel and DC, it frankly seemed like Marvel was just desperately trying to convince people, "Legacy," isn't terrible and when that failed simply went, "Fuck it, just enjoy this awesome trailer for, 'Thor: Ragnarok,' okay?" Meanwhile, DC had a decent-looking big trailer for their upcoming, "Justice League," and talked about a variety of stuff but the only thing that really caught my attention was seeing that, "Doomsday Clock," is going to be 12 issues and has a slightly confusing time-concept (which makes sense to mix time with a, "Clock," concept, but still). I'm less excited than when it was a short mini but still cautiously intrigued. Oh, and Noah Hawley of, "Legion," making a movie featuring Doctor Doom is something I'm 100% on board with.

Other stuff that caught my attention was reading that Michael Davis as well as some other friends are launching a comic-thing called, "Level Next," to assist creators of color with the creation and marketing of their stories, which sounds great! Also, after 24 years of being published by Archie Comics it was made public that, "Sonic," would no longer be a property there, before two days later it was announced as being a new property at IDW, so that has got to have some interesting drama behind it. It also sounds like there were some good panels that discussed gender and race in the field of comics.
Besides all that plenty of other things happened, but nothing else struck me enough to feel it was worth even expressing an opinion on (that or something interesting could have happened and I just missed it). It sounds like it was your usual SDCC/CCI--assorted movie and television news, lots of random exclusive comics or Funko Pops, and a bunch of cool cosplay. I imagine it was fun, crowded, and a bit overwhelming for those who attended and maybe someday I'll be able to get out there and report on the show for my blog, even if I honestly NYCC or TCAF are higher on my list of cons I, "Dream," about getting to report on. Anyways, another San Diego Comic-Con/Comic-Con International is in the books, I bet everyone who was there shall enjoy a long nap!

Wednesday, September 14, 2016

Interview Time: Alex de Campi

Intro
Alex de Campi
I've enjoyed reading comics written by Alex de Campi, often loving the dark humor in much of her work. I have a big soft-spot for the wild mini-series that was, "Archie VS. Predator," and as a big fan of wacky horror and science-fiction films loved her, "Grindhouse," comics. I enjoyed meeting and talking with her at the 2015 Project Comic-Con (discussed here and here) as she  was both hilarious and insightful--things that make for a good interview! Therefore, I asked her recently if she would be willing to do an interview via email about her past work and upcoming comic, "Mayday." She was awesome and said yes! Below is the interview.

Interview
Hello Alex! For those not familiar with you, would you mind introducing yourself?
Hey! My name's Alex. I make stuff. I write comics, and am working on two novels (a serious one and a trashy one), and I also direct music videos and commercials. You probably know me from ARCHIE vs PREDATOR or GRINDHOUSE, or maybe my other Image series, NO MERCY. Or maybe the videos I've directed for Amanda Palmer or the Puppini Sisters or Joan as Police Woman.

How did you enter into the field of comics? The first time I personally heard about you it was in reference to your political thriller, "Smoke," and its follow-up, "Ashes," but I'm always a fan of hearing the nitty-gritty of how a person started-up in the comic industry.
When I was a kid, my mom figured out real fast that she could shut me up for a whole hour by letting me pick a comic off the spinner rack in the drugstore. (It was always X-Men.) Then I grew up and discovered boys and rock and roll, and fell out of comics for a while until a friend was moving out of his barracks in London. That friend handed me a HUGE box of 2000AD and the late glory-years Vertigo books (Preacher; Ellis' Hellblazer; Sandman). I got addicted again. Then I fell in with this disreputable crowd who were all trying to write and/or draw comics and they said I should, too. So I did.
A crazy idea that worked quite well!
Oftentimes when I think of a comic-maker I'll be able to associate them with a specific genre, tone, etc. That doesn't really happen with you. You've done everything from a thriller in the form of, "Smoke," and, "Ashes," to kid-friendly comics with, "My Little Pony," what I would call an outreach-trip-gone-terribly-wrong yarn with, "No Mercy," some super-hero stuff about Wonder Woman, and you did many issues of the often-erotic, "Grindhouse," series that was full of science-fiction and horror. Plus, you did a comic where Archie and his friends went-up against the Predator. Describing your bibliography sounds like the work of at least three different writers--what inspires you to do such a wide-variety of comics?
I may not have a particular genre, but I do have a very specific violent, tension-filled noir tone that comes up in a lot of my work. I'm also at heart a comedian, so really wrong humour also happens. I'll tend to do a bunch of books in a similar mood -- Archie vs Predator and Grindhouse, for example -- and then go in a different direction, maybe more noir, maybe lighter. No Mercy and Mayday are both very, very tense, suspenseful stories, so now I'm looking to do something more relaxed. I'm working on a romantic comedy (...which will involve murder and explosons, because me) and a crazy shonen book. You get really involved in something, and then once you've done it, you need to do something different, you dig? It wouldn't be any fun, to just write the same sort of story all the time. Though all my books tend to end up as thrillers...

Speaking of, "Archie Vs Predator," how in the world did that come about? Also, considering how insane an idea that was how did you make it work so well?
I wish I could take credit for the concept, but it was all the Archie bullpen! I was just the Joe (or Joan) lucky enough to be offered the gig. I find it hilarious that people think of it as a hard concept to write -- I took one look at it, went "this is a teen slasher; it's Final Destination with the Predator," and off I went. The only things I kept in mind was that I had to deliver really good scares and gore (for the Predator fans, my people! get in here, fam! ::hugs::) and also great teen physical comedy and sass (for the Archie fans. Also my people! You get hugs too.) In both regards I was ably assisted by Fernando Ruiz, the book's penciller, who has the ability to make any script 400% funnier with his sharp eye for gags.
Going back to the subject of, "Grindhouse," how much of a B-movie aficionado are you? I definitely get the vibe from reading, "Grindhouse," you've seen plenty of weird sci-fi and horror flicks. Do you have a favorite obscure gem?
I grew up just outside Philly and was a latchkey kid, so I spent a lot of time watching terrible old movies on Channel 29 (before it became a Fox station). And then... one of my coping mechanisms is going to see movies. It's a little harder now that I'm a single mom, but I used to haunt the NFT and the ICA in London. I'd see three films in a day, spend the whole day on the South Bank... so yeah. I've seen a lot of movies. Favourite obscure gem? Well, Lucio Fulci's a fave director for horror (see The Beyond, yum, all those Italian gooey practical FX) and see if you can dig up Fernando di Leo's Milan 9mm for a gangster flick. Oh and wanna see something crazy? Check out Sekiguchi Gen's Survive Style 5+.

There are not too many comic-writers who also letter their works but I am aware that you do so. I know so little about lettering that it isn't even funny, please explain to a clueless person like me how it works.
I open up the art in llustrator, zoom in to like 1200% and either hand-letter (like this: http://alexdecampi.tumblr.com/post/137484898259/how-to-hand-lettering-comics-in-illustrator ) or use Comicraft fonts to put dialogue and SFX on the page, and then add balloons around the dialogue. For me as a writer, it's also a chance to fine-tune (and occasionally totally rewrite) dialogue so it fits the art perfectly, and add SFX in the right places. It's hugely time-consuming, but I love doing it.
I've seen how you posted how you're working on a, "Trashy novel," called, "Heartbreak Incorporated," under the pseudonym Bette Noire, can you share what it is about?
I'm working on two novels at the moment -- a big ambitious one about the nature of identity and humanity, and of course the trashy, easy book, Heartbreak Inc. Heartbreak Incorporated is about a twentysomething gal (and would-be investigative journalist) named Evie who is this >< close to not being able to afford to live in NYC any more... until she gets a job working for a private investigator who specialises in breaking up relationships. And who might also be a murderer.

The novel you referred to a big and ambitious sounds interesting! Can you share more or is it in too early of a stage to say much?
It's still too big and raw and in progress to talk about, I'm afraid!
You've got an upcoming comic coming from Image titled, "Mayday," that already had me sold when upon reading the description I saw the words, "California," "Soviet operatives," "Top-Secret," "Sex," and, "Drugs." Is it possibly the drug-and-sex filled comic full of Russian spies in sunny California I've been waiting for?
Most definitely. It's a book full of shady deeds in sunny places.

Earlier you mentioned directing music videos, how is directing different from writing? I imagine there are a lot of, "Moving parts,” so-to-speak.
There's a lot of specialist technical knowledge that comes with directing. You have to be able to do about 20 things at once, and make difficult snap decisions on set -- and refocus quickly if something doesn't work or if you have a setback. Directing means you're collaborating with people on set in real-time.... not asynchronously over email or conference calls. But other than that, there's a lot of complementary knowledge involved, like shot framing, pacing and visual storytelling.
Preview page from, "Mayday."
Speaking of music, what is your favorite kind of stuff to jam-out to? Do you listen to music while writing?
I listen to everything. I tend not to listen to much while I'm writing, as I like to concentrate. MAYDAY is very slated towards music though, each issue has a playlist -- some songs of which are integrated into the story. It's all about the birth of metal and punk... in 1971 Alice Cooper and Sabbath both had a couple albums out, so did the Stooges -- and meanwhile the chart songs were stuff like the Osmonds and Tony Orlando & Dawn. The change in America's sonic landscape towards harder, angrier music reflects what is happening thematically in the book.

What's the difference between a bad comic and a good comic, in your opinion?
Oh, jeez. Tough. I like a lot of ridiculous, trashy stuff, as well as incredibly pretentious stuff. I mean, I'm eagerly awaiting the Criterion release of BAD BOYS 2 and I can also defend Cocteau's ORPHÉE to the death. I don't like books that are lazy, or confusing. Or unimaginative. Bad story logic and crappy villain motivations are the hobgoblin of lesser works. To be honest a bad story is like porn, you can't define it but you know when you see it.
You've got a time machine, putting aside how it may horrifically mess-up history, is there a particular creator you would pluck out of the time stream to collaborate with at a certain period in their career?
Nah. Now's a pretty good time in comics, y'know? This might really be our golden age. There are still so many people I want to work with RIGHT NOW, and I'll never get to collaborate with them all.

What other projects coming up can you tell us about? If you can't talk in-depth about too much can you at least give us some juicy-hints?
Alas, I don't talk out of school about things that aren't announced yet. But I am working nonstop and I have so much coming out over the next 2 years it's kind of crazy.

Interview Concluded
Thanks again to Alex de Campi for a great interview! You can visit her website here and you should be sure to check out, "Mayday," when it hits comic-stands early this November!

Wednesday, October 14, 2015

Kickstarter and the Concept of Complimenting Versus Competing with Retail

Ah Yes, Kickstarter
Kickstarter is a fascinating platform that has helped a variety of games, comics, foods, etc. become actual products/events people can enjoy--and these are things which would have not existed without Kickstarter. That said, there are too many occurences of things going wrong, between out-and-out scams and folk protesting how they ran out of money and can't deliver a product that I feel a lot more hesitation these days to use Kickstarter at all. Should someone lay-out why they are using Kickstarter, honestly discuss the potential for problems, give a solid answer on the process of how the product/event will be created, and other things that I feel are reasonable to ask for, then I'll back a project assuming it appeals to me. Some completely unproven company or random person whose Kickstarter seems more disconnected from reality than anything else however? Yeah, I'm gonna skip that (and the stupid, "Joke," Kickstarters lost their appeal long ago, around the whole potato salad nonsense).

Putting aside concerns about questionable Kickstarters let's talk about ones that will be effective--with us focusing on comic ones--and discuss what happens when it comes to the question of a comic-maker complimenting their retail presence as opposed to competing with it. Therefore, you'll get individuals, publishers, etc. who engage in a Kickstarter campaign. There are occasions where I have no problem with this and other times when I honestly get quite agitated. Let's break it down, using fun photos to help illustrate how I would feel in each situation...

Possible Scenarios
In one version of events, you're a single person, or part of a group. You have a comic you really want to get published and you did all the leg-work to get a printer lined-up, you've got a product ready or almost ready and if you can just get funds from people you'll be able to publish your comic. In the process of getting funded or shortly after your project comes out a comic publisher approaches you and states, "Hey, this comic you did here is really impressive, can we print a version?" You of course excitedly state yes and your comic is printed in much bigger quantities with only a few minimal changes (if any). I would state something like this is perfectly alright as you went-in to all this not knowing if you actually would find a big publisher and you thankfully did. I'm not going to hold your success against you.
Irritation Level: None

Let's say you're someone with some experience in the comic business and you have something you want to release to retail but by doing Kickstarter it will help secure you funds to pursue that. You realize you don't want to compete with retail so you keep your Kickstarter items different in unique ways--be it variant covers, special gift items for backers, and so forth. You maybe could have even gone straight to retail in comic-book stores, but this helps you get those extra funds and you're not even competing with retail because what you're doing is geared more towards fans of your work and the items they get via the Kickstarter won't be available at retail. Again, I have no problem with this because you're doing something that maybe was planned from the start to be retail and Kickstarter, but you're keeping them separate in terms of what goes on sale. You're complimenting your retail sales, not competing with them.
Irritation Level: None

Now then, you're a smaller publisher and plan to go to retail but also want to do to Kickstarter to help make your book even more impressive when it comes to printing costs. Thanks to the support of people who Kickstart you a better comic will be made, and the exact same one will go to retail but it'll be even cooler thanks to your Kickstarter supporters and you'll be sure to thank them in the retail copies of the book too--after all, its the exact same product. You would be able to put this comic out in retail stores but maybe it wouldn't be as cool and you really do value your Kickstarter supporters. This gives me some concern because you're already going to retail and basically using Kickstarter as an extra support that will reward folk who just purchase your book in comic shops and whom weren't there from the start. However, if you throw in some cool extras only the Kickstarter backers can get I think everything's pretty square.
Irritation Level: None-to-Minor

You're a bigger publisher who has hit some harder times financially. You have a ton of great books you're willing to give to people with unique extras and are happy from support from anyone who is willing to kick-in funds for you to keep surviving. Their money will guarantee them some books you already have and future ones too. Without this you might struggle to stay afloat and even if its a little embarrassing for someone as big as you to come to the populace with your hat-in-hand it is necessary. Fantagraphics stands as an example of this. It bugs me a little because one would hope if you've been around as long as you have you don't need Kickstarter, but if it turns out you truly do need it, then go ahead and do it. I may be a little irked by the campaign, but I would rather you survive to keep making great books than go under because you had too much pride to ask the fans for help. Just please don't make it a regular thing because then you'll create a perception that you aren't spending your money well.
Do note that if your doctor does this gesture,
you are good and truly screwed.
Irritation Level: Minimal

Again, you're a bigger publisher, but this time your Kickstarter isn't to save the company. No, this is really just a marketing stunt to get people to agree to buy your books in advance. People who support you do get some special neat things, but you honestly don't need this money and you're undoubtedly competing with retail sales. This is what Archie comics did for their relaunch before enough outcry resulted in the whole thing being cancelled and the company getting a lot of egg on their face (metaphorically speaking). I find this pretty annoying and an example of a company just trying to, "Get-in on this Kickstarter trend," without needing it at all.
Irritation Level: Moderate

Okay, you're a decent-sized publisher and you already ran a successful Kickstarter that you probably didn't need to do, but it made you some money anyways. Now you're going to run another Kickstarter for your comics, under-cut slightly what you'll charge at retail, and not give fans anything special--just the exact same thing stores get but for less than the comic will actually cost at retail. Now you're essentially cannibalizing your store profits, drawing in fans who may have gone to the comic shop to get your book that you're already going to take to retail but now offer for a bit less, and otherwise look like a jerk. This is a prime example of something that is just stupid and it isn't surprising the purveyors of the incredibly below-average debut issues of zombie comics that riffed on, "Night of the Living Dead," Double Take, are exercising this very method as we speak.
This image of a woman about to smack someone with a frying pan
is as borderline-sexist as it is an accurate representation of how I feel.
Irritation Level: High

Lastly, let's say you're a huge publisher, something along the lines of Marvel, DC, or Image, and you want to see if a comic idea you have would be sustained by the fan-base and do a Kickstarter for an idea stating the comic will only come into existence if its Kickstarted and no, you know what, this is a terrible idea even in theory. Should the day comes this occurs I will think we've reached some kind of tipping-point for Kickstarter and that something will have to give because things will have gotten just far, far too absurd. I'm not even going to entertain this idea any further, because if it happens...ugh.
Irritation Level: Extreme/Facepalm

In Conclusion
So, to review: If your Kickstarter helps you create something that would otherwise not get made, assists you in making something unique for backers, or will save your company from financial ruin, I think you are doing things that compliment your retail experience as opposed to competing with it. If you're engaging in a simple cash-grab or eating into your own retail sales then you're doing something wrong, and I am perturbed by you. Another person's criteria for what kind of Kickstarters are fine and which are questionable may vary, but I think we can all agree that it is always better to help your retail sales as opposed to harming them.

Saturday, April 25, 2015

The More I Think About it, The More Insane "Archie VS Predator" Is

Just Plain Bonkers
I bought the first issue of the "Archie VS Predator" comic that came out a tad ago and finally had a chance to sit down and read it multiple times. The first time I read it the interesting aspect was how it really does seem like a normal Archie comic--if with some slightly more suggestive language than the all-ages digests (Reggie refers to himself as a, "Sexual Tyrannosaur") up until the point where the Predator arrives and spies on everyone. This all leads to the only truly jarring image of this issue, where we see that Cheryl Blossom and her brother have met a really, really bloody demise at the hands of our alien guest-star. The second time I read it was just to absorb how great a job writer Alex de Campi and artist Fernando Ruiz do giving us an utterly absurd concept and making it somehow work. The third time was to make sure I hadn't hallucinated something this bizarre existing.
The way the comic is presented in its more, "Classic," style of looking just makes everything feel even more messed-up. As I said, however, in this issue the Riverdale gang doesn't actually meet the Predator, they just almost encounter him while on a beach vacation and then find themselves unaware he has followed them home. By the way, I appreciate the comic keeps in mind how the Predators like to hunt in really hot places, resulting in it making sense he would encounter them in the tropics, and then follow them to a place maybe not normally suited to Predators--yeah, I'm being a stickler for movie-logic, I know.. Still, the fact this issue serves mainly as foreshadowing makes it not quite as good I would imagine the series will be when all Hell breaks loose.

I've read some interpretations of the comic that the Predator may in fact not be hunting, but is instead romantically interested in Betty and/or Veronica--almost being like Archie in his inability to decide whom he loves most (I say he should pick Betty, it'll always be Betty). It would be funny to see a comic where it really is Archie versus the Predator, going man-against-alien for the love of his ladies. Whatever the case of why the Predator has come to Riverdale, I am excited to see what the next three issues in this mini-series hold. Now it just has to continue expertly walking the tightrope between cleverly silly, and just plain weird.
4 out of 5 stars.

Thursday, September 4, 2014

Some Much-Delayed Thoughts on "Afterlife with Archie" #6 AKA How I Wish "Fatale" Had Been Done

If You'll Allow Me To Explain

I really loved the latest issue of "Afterlife with Archie" that came out some weeks ago. It took me until recently to read it but once I did I had two major thoughts, "This is incredibly good," and "This really reminds me of 'Fatale', and is actually how I wish 'Fatale' had been." Should this thinking confuse you or seem weird to compare two seemingly very different comics I'll explain. Basically, its all about the creeping sense of horror.

So Much Tension That It Eventually Got Boring
"Fatale" featured a female protagonist named Josephine with scary powers (in this case the ability to basically mind-control men and recover from any injury whilst not aging) who was trying to escape from an evil cult that seemed to worship a variety of horrifying Cthulhu-styled creatures. It jumped around in time, and despite starting out promising I found myself growing bored with it. I ended-up quitting the comic around the point it had jumped-forward in time from what was arguably the "main" story to a tale about Seattle in the 1990's.
I did like the earlier issues.
As I stated, it began quite well, with Josephine--also known as "Jo"--being interesting and a bit scary, yet also sympathetic. I've loved past works by writer Ed Brubaker and artist Sean Philips, so I was intrigued when I began the series. There was this sense of tension and foreboding...and then nothing much happened for a bunch of issues. You can only have tensions ratcheting-up for so long without a release before people just get exhausted along with possibly bored, and well, with Fatale I became pretty bored. For all I know the last issue paid off in a big way and cashed-in expertly on all that led into it, but as it stands, when I remember "Fatale" I think of how it had so much tension that it eventually got boring, if that paradox makes any sense. Then in comparison we have "Afterlife with Archie" #6, i.e. how I want a comic to build-up my anxiety and then pay off on it.

Not the Kind of Dream Wedding Most People Hope For, But Delightful For A Reader
"Afterlife with Archie" has centered on a zombie invasion of the town of Riverdale brought about by Sabrina (The Teenage Witch) using magic she shouldn't have in an attempt to help Jughead bring his dog named "Hot Dog" back to life. After the first issue where Sabrina was banished by her aunts to a nether-realm the comic has focused on Archie and crew, with us readers only able to wonder what came of Sabrina. Well, the sixth issue of this comic offers a bit of an interlude from the goings-on in Riverdale and fills us in on Sabrina. Basically, she has been at an institution for troubled youth since the supposed deaths of her aunts. Clearly, something is amiss.

This may sound quite different from "Fatale", but in this issue there are many similarities. The issue features a female protagonist with scary powers (magic), who is trying to escape from a sort of asylum run by an evil cult that worships Cthulhu. See how that sort of links up? There are little things too, like how the motif in "Fatale" of people seeing creepy things for a split-second before "reality" sets back in happens a bunch in this issue of "Afterlife", which was in fact one of the first things that made me start thinking of "Fatale". From my noticing how this was like "Fatale" I started to see how it did something very well that I've made clear "Fatale" did not--the tension-building.

The issue opens with Sabrina describing a nightmarish dream to Doctor Lovecraft (see what they did there?) and continues from there as we see her in the institution. Sabrina is trying to figure out why everything seems off, and if this strange belief that she is actually a witch is true or some delusion--as she has been informed as such by folk at her establishment of forced housing. As the issue continues a sense of palpable dread and fear grows and grows until a heck of an ending where Sabrina learns the truth is she is a witch that the Doctor's snatched from the nether-realm and is to be the bride of none other than Cthulhu himself. Yeah, not the kind of dream-wedding most people hope for, but delightful for a reader.

Whereas with "Fatale" I was putting up with issue-after-issue of a feeling of fear and trouble, nothing too big actually really occurred (yes, there were some smaller pay-offs, but not a "wow" moment like "Afterlife" contained). Meanwhile, in a single issue of "Afterlife with Archie", writer Roberto Aguirre-Sacasa expertly started things out with a creepy vibe, built up my worry and fear for Sabrina, and ended with a huge bang. If any issue of "Fatale" had been as good as this single one of "Afterlife with Archie" I probably would have gladly stuck with it till the end.

Top-Notch Stuff
I've sounded negative about "Fatale" but it was a perfectly good comic, it just got grating after awhile. At least the art in "Afterlife" is incredible thanks to Franco Francavilla, and Sean Philip's work in "Fatale" was top-notch too, so both books are beautiful; it just in the end comes down to the story the comics have been telling. While most of "Afterlife with Archie" has had more of a strange "Walking Dead"-type feel, this check-in with Sabrina was full-tilt Cthulhu and Elder Gods-styled. Therefore, trying to compare other issues of "Afterlife" to "Fatale" would be a bit silly, but works wonderfully for this issue.
Usually "Afterlife with Archie" has more zombie-smashing than Cthulhu
This issue of "Afterlife with Archie" is a stellar example of an interpretation of HP Lovecraft, period, not just how I wish "Fatale" had gone. In the end they are very different comics, but I just felt like sharing how while reading the sixth issue of "Afterlife with Archie" I couldn't stop repeatedly thinking, "This is how I wish 'Fatale' had read." It may be unfair to Brubaker and Philips to write this as they were doing their own thing, but its just an observation I had and wanted to share with you all out there on the internet. As it is, this issue of "Afterlife" is my favorite thus far and just a great comic. I mean, when one comic is so good you wish other comics were like it that means something, I would argue. Anyways, top-notch stuff.

5 out of 5 (for the sixth issue of "Afterlife with Archie").

Monday, July 21, 2014

Assorted Links of Use to Your Gaining of Knowledge

I've seen, read, and heard some interesting things lately, so why don't I share them with you, my dear reader/readers?

Links
Let's start off with an article that is quite the saga. Someone from Gawker spent 14 hours at a T.G.I.F. restaurant in a quest to see if the current "Endless Appetizers" program was truly unlimited, and to experiment with how much mozzarella sticks a human can both physically and psychologically handle.

Soooo, Russia and the Ukraine are currently a mess, with a commercial plane full of innocent victims falling in the cross-fire.

Oh, and Israel and Gaza are currently a nightmare of violence and trouble too.

This piece by the Daily Beast discusses how DC Comics has an apparent diversity crisis, especially when compared to Marvel and their recent new announcements.

Speaking of DC and Marvel, one of my favorite bloggers, Caleb Mozzocco, goes after good ol' DC for making fun of Marvel when he feels they don't really have a leg to stand on, or as he puts it, "Good God, that's some chutzpah." Considering how Marvel is at least trying new things with some of their comics (the wonderfully surreal "Moon Knight", "She Hulk" being good fun) its kind of an odd thing for DC to do.

I discussed my thoughts on "Watch Dogs" early on while playing it, and this article about the ending is very interesting in pointing out how when the game finally and truly lets you make a moral choice, what you would want to do is perhaps very different from how the main character, Aiden Pearce, has behaved the entire game with you merely guiding him in a somewhat on-rails fashion through missions. Be warned there are spoilers as it discusses the game's conclusion.

As I don't want people to think I only rag on DC when Marvel does plenty of idiotic things too, here is the full list of Marvel's solicitations for October 2014. Upon seeing how many comics there are for this "Avengers VS. X-Men: Axis" event right after "Original Sin" has just wrapped up in August, I can only conclude Marvel is trying to kill people in some sort of deluge of comics which will cause them to drown under the weight of all the paper. Needless to say, I'm not planning to read "Axis" due to my often-discussed being done with event-comics for the foreseeable future.

Oh, and lastly, you might have heard about the alternate-continuity "Life of Archie" comic with its 36th issue where Archie dies saving his gay friend, the newly-elected senator Kevin Keller, from an assassin out to kill Keller for his gun-control views. I honestly never would have thought a decade ago I would use those words in describing an "Archie" comic, but between Kevin Keller, the extremely good "Afterlife with Archie", and now this, "Archie" comics have found a way to be incredibly relevant and interesting. Who would have thunk-it?