I Appreciate Joe Casey Discussing Some Companies Generally Paying Less Royalties Than They Should

Marvel seems to do this thing where if you create a character under their work-for-hire system and they use it in a movie/show, they'll give you a check...but are very careful about it. They aren't giving you a royalty; it is $5,000 and an invite to the premiere of the thing with your character...as long as you signed some contracts too, where they're protected from you suing for more money or speaking out about things too much in a critical manner. I mean, Ed Brubaker got more money for filming a cameo in, "Captain America: The Winter Soldier," than what he made on the character being in the flicks (yes, yes, there is some argument about how he took an established character such as Bucky and did Winter Soldier, I know). Joe Casey has done quite well with a number of projects and didn't feel like he needed to sign any paperwork for Marvel using America Chavez in, "Doctor Strange and Multiverse of Madness," or now for William Metzger (being played by Tramell Tillman) in, "Spider-Man: Brand New Day." Metzger was created by Casey and Steve Rude back in the 1999-ish mini-series, "X-Men: Children of the Atom." He just feels that if a character is being used a good deal in a production, perhaps the millions being spent (and made) can have a decent check go to the person who actually invented this (hopefully) profitable property.

Casey isn't outright enraged at Marvel; he still works with them on occasion. Still, Casey feels, "For me, it’s not about money. It’s not even about the respect. I would never expect to be respected by a corporation...If I’m in a position where I can afford not to take their insult of an offer, and be able to talk about it, maybe the next guy — where that kind of money could change their life — would get a fair shot of receiving that money.” An honorable sentiment from a creator who can turn down a smaller check and talk about thanks to other successful projects (he and Joe Kelly did well with, "Ben 10," for sure, to name one thing). It goes to show that when you're doing work-for-hire in the comic industry, you could make something insanely popular and barely see much extra scratch for it. At least if something creator-owned fails to strike a chord in the market, you still have ownership.