Flashback Friday: Alan Moore Wrote Some Fun, "Spawn,"-Related comics Back in the Day

Alan Moore was essentially betrayed by the comic industry multiple times. It is understandable if he'd rather write his (admittedly good and well-reviewed) novels he now does, but the man was a skilled comic-crafter without a doubt. Not everything he wrote was an epic that people talk about with reverence, either. Sometimes he just wrote some zany and fun stuff. I'm especially fond of when Alan Moore did some zany Spawn-related stuff back in the day.

As d. emerson eddy discussed in a recent article on Comicsbeat, Alan Moore wrote a three-issue mini-series for Spawn's foe, "Violator," back in the 1990s. It is absurd, violent, and quite hilarious. Bart Sears contributes art for the first two issues, with a then-less-known Greg Capullo doing the finale. The plot basically involves everyone from the mafia to other demons wanting to kill Violator, and the effort he goes to in order to not end up dead and back in Hell. It's nothing earth-shattering, but it is a hoot and relatively easy to find for dirt cheap as individual issues or in a trade paperback. It wasn't only a baddie Moore wrote either, he was involved in, "Spawn," #8, #32, and the, "Blood Feud," mini-series. My favorite piece of Spawn-by-Moore is a crossover, however.

Back in the late 90's Alan Moore was invited by Jim Lee to write, "WildC.A.T.s." and he did a solid job. For my money, the four-issue crossover he did of, "Spawn/WildC.A.T.s" is the most fun Spawn-by-Moore even if (one should emphasize) none of this is anywhere near his best work--that said, many agree how, "Even Moore's 'not very good' can be interesting when looked at critically." Yes, "Spawn/WildC.A.T.s" is very 90's, very silly, and Moore's writing is underserved by art (sorry, Scott Clark) that seems busier making the female characters look as svelte and sexy as possible than doing anything else, but it is a crazy little read. Spawn is quite evil in the story, which is set in the far-future time of 2015 (I mean, the future for when it came out) and full of epic fighting, monologuing, and general wackiness. I'm not alone in liking it despite its obvious flaws. Lots of folks hate it and say it isn't even, "Canon," to Spawn or WildC.A.T.s, although when it comes to anything, "Spawn," continuity is a loose concept at best. 

The art admittedly leans heavily into the 1990s, "Cheesecake," aesthetic.

For my money, in the same way that almost any random, "Punisher," comic by Garth Ennis is better than 99% of other (newer) Punisher comics, a silly crossover of little consequence by Alan Moore is still a good deal more pleasurable to read than a lot of Image stuff in the 90s (this was before Jim Lee took his Image characters over to DC). We've got the WildC.A.T.s. fighting a demon-possessed Spawn and Alan Moore is having fun and telling an engaging story. Not everything has to be, "Watchmen," or, "From Hell," with Moore, so just chill out, random internet haters.

Whether it was the main, "Spawn," comic, the spin-off series, or crossovers, Alan Moore wrote a lot of Spawn, even though his takes on other heroes get a lot more, "Ink," written about them, be they Batman in, "The Killing Joke," or other popular characters in various books he barely touched. A lot of Moore's stuff with heroes could be more dour/serious like his time with, "Swamp Thing," but the man knew how to have a good time too, as any of his comics involving Spawn make clear. Moore is clearly happier now not doing comics, but at least we have these four-color memories of his work to enjoy for years to come.